A groundbreaking learning tool used by everyone from beginners to Academy Award winners, the course teaches high-end camera work through over 9 hours of 3D animated instruction on 6 DVDs.Besides working with actors, blocking is one of the most important things a Director does, and should be really good at. Download Via UploadGigVia NitroflareVia Rapidgatorfiles with WinRar 5 or Latest!
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Layers Of Behavior.docxThis is the Layers Of Behavior worksheet for preparing to direct or act a character. Theworksheet forces you to come up with active direction for each aspect of the character.Expect 4-5 hours to do a single character.Log in toto download it! Customers only.Directing Actors Scripts Quick ScenesThese are some of the small scenes we're using through the course. Download them and use them for actingclass.These small scripts are written to have no inherent meaning, meaning that they change drastically when webring different subtext to them - which is true of all scripts, but especially visible here.
The psychopath Leonard has moved into a wealthy neighborhood, and has everyone fooled that he'sa cool tech CEO. In this short scene, he steals Elaine's wallet from her purse, then lecturesElaine's husband Lawrence on home security.This scene is after the dinner party, which was ruined because Elaine's wallet was missing. Elainemakes an offhand comment about Leonard's car, and he decides to kill her.Leonard cuts the cable to Elaine's house, pretends to help her with the outage, and then stranglesher.This is a poker scene a few weeks later.Political Drama Love Scene.
VOLUME 2-8: ACTIVE IDEASActive Ideas are the thoughts that produce behavior. What we're looking for is simple thoughts that are easyto think, but that produce complex behavior that runs effortlessly by itself.There are certain categories of thoughts at the heart of every good acting technique. On Volume 2-8, we not onlymap every every Active Idea that's known to work, we add a new level of understanding, and we re-evaluatemany myths, for example that result directing is bad or that active verbs are good, which is not that simple. THE LAYERS OF BEHAVIOROne of the major original contributions of the course is the Layers Of Behavior. Every known acting techniquefits neatly into this single concept, and once you realize the connection, it becomes strikingly clear howall acting techniques relate.It's like each Layer Of Behavior hits a unique psychological frequency.
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For example, working with objectivesis distinct from working with the character's future, or his past, or his present projections, which aredistinct from working with his self-image or physical actions or emotional state.You will see how most Actors and Directors have made their home on just one or two layers, but that rich, nuancedperformances come from activating more psychological aspects. This is the most brain-crunching part of thecourse, but it will take your competence to a new level, both as an Actor or a Director. VOLUME 9-10: CASTINGIt's really true that if you cast someone right, most of your work is already done. Directing Actors takes youthrough a full casting process, where you learn how to find out if someone is right for the part, whetherthey can really act, what positive and negative signs to look for, and how to direct during the auditionso you get real data.We're also interested in how to run the casting session, and how to create an environment that encourages Actorsto reveal their talents.
We discuss everything from how to arrange the casting space, to how to videotapeit, going through callbacks, ending in test-pairings of potential leads.Whether you're a Director or an Actor, sitting in on a casting is an enlightening, but also emotionally painfulprocess. VOLUME 12: DIRECTING WORKFLOWWe're now working on the set in super slow-motion, and we're interested in the entire conversation, what yousay when, what you don't say when, how to motivate, and how to criticize constructively.
We're also interestedin solving every problem that comes up, like nervous actors, or pulling the scene back from a bad place.We're solving many special situations like interruptions, or performing around missing actors, or when (not) to do rollingresets, as well as cleaning up the production so Actors can concentrate on acting. VOLUME 13-17: REAL-TIME DIRECTINGWe're now rehearsing and shooting for the last six volumes. This is where we turn on the storm and work at fullspeed using everything we've learned.
This is the first time we can truly see how the techniques come togetherto create living, breathing characters.We're covering lots of new ground in this part as things come up during the shoot. And the scenes are chosenfor their issues, for example a love scene, or emotional and physical violence, which requires special handling. CRIME DRAMA (4 SCENES)We're doing 4 scenes from a ficticious crime drama featuring a detective Lily (played by Lee Stark), who is emotionallydetached due to childhood trauma and has no interest or experience with personal relationships.The character Reynold (played by Karl Hamilton) became disturbed after his daughter was murdered, and his missionin life is to expose the person who did it. He's an loner and a conspiracy-theorist, he lives in his car,and sees Lily as his only friend, but she's neither willing nor able.Through rehearsals and shooting 4 scenes at different points in the character arcs, you will see how the characterstake shape as we discover their behavior and find what works for the Actors. You will recognize techniquesas they happen in quick succession.
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PSYCHOPATH DRAMA (4 SCENES)A psychopath, Leonard (played by David Scott Crawford), has moved into a wealthy neighborhood, and has everyonefooled that he's a cool tech CEO. His next victim, Elaine (played by Maggie Scrantom), is a controlling andbored housewife, whom he decides to kill after she makes some minor comment.
Elaine's husband, Lawrence (playedby Pete Navis) is mesmerized by Leonard, and doesn't pick up obvious signals.These scenes were chosen for the course because a psychopath has no obvious behavior, and is hard to play. Thescene also includes physical violence, which is emotionally difficult to shoot, and it needs specific handlingon the part of the Director. POLITICAL DRAMA (LOVE SCENE)A congressman, Frank (played by Pete Navis) has been promising his staffer and lover Lisa (played by Laura Obenauf)that he will divorce his wife. Lisa dreams of becoming a first lady, and has believed him in spite of manybroken promises.
But in this scene, it becomes clear that it's never happening.Love scenes, as well as any scenes that deal in raw emotions or violations of personal boundaries, need to bedirected in certain ways, so the Actors can feel safe in committing to the part.
Hollywood Camera Work Dvd Rip
Walking dead season 8 download. Years in the making, The Master Course In High-End Blocking And Staging is the mostcomprehensive and ambitious Directing Course in the world. A groundbreaking learningtool, the course teaches high-end camera work through over 9 hours of 3D animatedinstruction on 6 DVDs.Besides working with actors, blocking is one of the most important things a Directordoes, and should be really good at.
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